Joy

Trying out a few new things. Finding a fitting theme, model and makeup that all work together can be challenging, but I think I did ok.

Model: Joy Johnston | MUA: Amanda Abajian |Styling done by myself

{For more of my work, visit my Instagram}

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Quirktastic

 

There’s something I’ve always loved about weirdos. They’re unique. Not afraid to be themselves. I know I can be pretty weird myself, so naturally, I like to  show it in my work.

I love the idea of beautiful people doing weird things. Completely opposite of what the general population would find attractive. I suppose it’s what I find attractive. I feel it adds something different to your average portrait of someone. A portraits purpose is to show the person how they are, so why not add a few of their personality traits?

{For more of my work, visit my Instagram}

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Aviphile

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My latest shoot. The idea was there. I know the images are interesting, but I’m still not satisfied with them. Not because of the model, Jacqueline Tatum, her 11 birds, or the makeup artist, Natalie Moreno. It’s the lighting.

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Sometimes I make the mistake of being lazy. I’ll admit it. I love the way natural window light looks, so even though I’m in an environment that I know doesn’t have sufficient window light, and I have my strobes with me, I’m stubborn. It’s a flaw I think I’ve always had, and still proves to be something I need to overcome.

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Setting up strobes can be a huge pain. On top of that, I was nervous to use them around live birds for fear of frightening them off. The result, poor lighting. Don’t get me wrong, I still enjoy the images, I just wish they were….more.

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More impactful. More dramatic. More inspiring.

There’s always something to improve on as a photographer. I think laziness is my latest goal.

{For more of my work, visit my Instagram}

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The Polaroid Project

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I decided to do something different this year, and document all of the significant photoshoots I’ve done. (I say significant, because as a professional photographer for a wholesale clothing company, I frequently shoot throughout the year for our online catalog. I don’t include these as they are not creative or big productions whatsoever.)

I meant for it to be more like private research so that I can kind of keep track of my productivity, and use it as a way to keep myself motivated to shoot more. But somehow, it turned into a project by itself.

As I collected more images, either behind the scenes, or photos of the models, I noticed that when the photos were grouped together, they almost look like one piece. Each image has its own feel and mood, but because they’re shot the same way and have a cohesive look to them, they all fit together.

It’s like looking through the history of my work, in a more creative and interesting way. Not at all what I had expected. But beautiful on its own.

{For more of my work, visit my Instagram}

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Blue Swept Lies

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Someone is talking to you. They’re talking and talking and talking and you’re suffocating. You’re drowning in a sea of words and all you want to do is scream and run and fight and you can’t take it anymore, so you push back.

You push with words. You push with what you know will strike at the heart. You push with evil. You take the closest thing to them and transform it into a negative, breaking them down. Breaking them into tiny fragments, sharp like glass. You push harder and harder, the words falling out of your mouth like vomit and you can’t stop. You can’t see what you’re doing.

You’re destroying them with words to get them to shut up and you know you’re losing them forever….

{For more of my work, visit my Instagram}

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Feel Something With Me

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Photography has always been a way to capture the world as it truly is; vivid colors, beauty, devastation, culture, etc. It tells no lies and makes people feel like they are there with the photographer, standing next to them as they adjust the shutter and f/stop of the camera. They see what the photographer sees through the lens of the camera, and nothing more.

This is not what I want to bring to the world of photography. I want people to not only see what I see through the lens of my camera, but I want them to feel something. Anything. I want to use my photography to bring people to think beyond the image itself and into their own interpretation of the work and how it makes them feel. I want my photography to inspire people.

When I look at the world around me, I don’t just see the surrounding scenery. I see shadows, light and detail that can all be transformed into something else, or manipulated in a way to make your eye jump from one part of the image to another. I guess you could say that my mind works for the camera. I have an image of what the final piece is going to look like before I have even captured the first image.

I want to be able to dedicate my time to photographs of the world as I see it, or as I dream it. I believe that my photography can transform simple objects into dramatic displays of light and dark, color and black and white, beauty and despair; I want everyone to witness the images my mind produces for me before a camera is ever raised to my eye.

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I was once told that art isn’t really art unless it makes you feel something. Feel something with me.

{For more from this series and others, visit my Instagram}

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On Levitation

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Surreal art, and specifically surreal photography, is something I’ve always wanted to get into. I love the idea of transforming my fantasy land into a format that other people can see, and hopefully get sucked into the way one would with a really good book. As far as actually being able to produce such surreal pieces, it requires A LOT of practice and experimentation, which I, unfortunately, don’t always have time for with a full-time job.

Levitation photography is a form of surreal art that’s actually really popular right now, which is great, except I feel like there is a lot of it out there, so it doesn’t necessarily make my work stand out as much. Don’t get me wrong, I love it, and I love having a lot of inspiration to look at, but it does make getting noticed a little more difficult.

That being said, it’s a perfect way to practice some of the more complex Photoshop skills that I would need to move forward with other surrealistic work. So naturally, I went for it.

My first few attempts weren’t bad, (if I do say so myself), though they were a bit complicated to put together as I was unaccustomed to shooting the base images the way I should have. Some were more simple than others, where I could just shoot the background and then shoot the model, but others required a little finesse, if you will.

My first mistakes forced me to adjust the way I shoot the images to give me more options and range of motion. I now shoot separate images for different sections of the body, hair, fabric, etc. And when the final images are taken into Photoshop, I glue my model back together in the position I want her to be in.

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Learning to cut bits and pieces off of each image so you can put them together into one final image forces you to see the work differently. The part of the dress that’s on her chest can also substitute for a piece that’s floating in the air. Or sometimes you need to paint in a section for it to look like it’s naturally floating. As time went on, I learned to see what needed to be added or removed to give the image the illusion I was looking for.

I generally felt that levitation was my stepping stone to more complex art, and in a way, it is. But I’ve also started appreciating it for what it is, even if everyone else is doing it too. Not only that, but I was recently lucky enough to be hired for a specific job solely based on my levitation work! (Yay me!) And with the right connections from an amazing model, Janelle Allisa, I was able to shoot the album cover for Electric Century, (by Mikey Way), for their debut album “For the Night to Control.”

With some graphic help from my boyfriend, Amir, we made a successful album cover that was exclusively released via Kerrang Magazine all over the world.

Hopefully soon I will be able to put together some more surreal work and post it for you all to see, but for now, practice makes perfect!

{For more from this series and others, visit my Instagram}

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