On the Self

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Again, it comes to my attention that self portraits are very important to being a photographer. It forces you to know what your model is going through, and understand that sometimes the most flattering position, is not the most comfortable, among other things.

Being on both sides of the camera gives you a sense of what you need to do as the photographer to improve everyone’s experience on set. Self portraits allow you to practice lighting, retouching, poses, camera angles and especially focus.

And of course, all technicality aside, self portraits are a perfect outlet for expression. Expressing oneself through a model doesn’t always end up with the result you’re seeking. Their face might not be just right because they don’t feel what you feel. Sometimes, if you want something done right, you have to do it yourself…or something like that.

{For more of my work, visit my Instagram}

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Aviphile

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My latest shoot. The idea was there. I know the images are interesting, but I’m still not satisfied with them. Not because of the model, Jacqueline Tatum, her 11 birds, or the makeup artist, Natalie Moreno. It’s the lighting.

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Sometimes I make the mistake of being lazy. I’ll admit it. I love the way natural window light looks, so even though I’m in an environment that I know doesn’t have sufficient window light, and I have my strobes with me, I’m stubborn. It’s a flaw I think I’ve always had, and still proves to be something I need to overcome.

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Setting up strobes can be a huge pain. On top of that, I was nervous to use them around live birds for fear of frightening them off. The result, poor lighting. Don’t get me wrong, I still enjoy the images, I just wish they were….more.

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More impactful. More dramatic. More inspiring.

There’s always something to improve on as a photographer. I think laziness is my latest goal.

{For more of my work, visit my Instagram}

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The Polaroid Project

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I decided to do something different this year, and document all of the significant photoshoots I’ve done. (I say significant, because as a professional photographer for a wholesale clothing company, I frequently shoot throughout the year for our online catalog. I don’t include these as they are not creative or big productions whatsoever.)

I meant for it to be more like private research so that I can kind of keep track of my productivity, and use it as a way to keep myself motivated to shoot more. But somehow, it turned into a project by itself.

As I collected more images, either behind the scenes, or photos of the models, I noticed that when the photos were grouped together, they almost look like one piece. Each image has its own feel and mood, but because they’re shot the same way and have a cohesive look to them, they all fit together.

It’s like looking through the history of my work, in a more creative and interesting way. Not at all what I had expected. But beautiful on its own.

{For more of my work, visit my Instagram}

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Blue Swept Visions

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You can’t unsee what you’ve done. The train wreck in your mind, torturing you like a million ants climbing up your spine, just out of reach.

You can’t take it back. You can’t move on. You’re stuck in your head, sucked down by regret.ย The darkness leaks in like oil. You can’t unsee it.

It stays forever. Burned into your mind, you can almost hear the searing flesh.

You can’t unsee it. You can’t unsee it. You can’t unsee it.

{For more of my work, visit my Instagram}

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Blue Swept Lies

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Someone is talking to you. They’re talking and talking and talking and you’re suffocating. You’re drowning in a sea of words and all you want to do is scream and run and fight and you can’t take it anymore, so you push back.

You push with words. You push with what you know will strike at the heart. You push with evil. You take the closest thing to them and transform it into a negative, breaking them down. Breaking them into tiny fragments, sharp like glass. You push harder and harder, the words falling out of your mouth like vomit and you can’t stop. You can’t see what you’re doing.

You’re destroying them with words to get them to shut up and you know you’re losing them forever….

{For more of my work, visit my Instagram}

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Feel Something With Me

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Photography has always been a way to capture the world as it truly is; vivid colors, beauty, devastation, culture, etc. It tells no lies and makes people feel like they are there with the photographer, standing next to them as they adjust the shutter and f/stop of the camera. They see what the photographer sees through the lens of the camera, and nothing more.

This is not what I want to bring to the world of photography. I want people to not only see what I see through the lens of my camera, but I want them to feel something. Anything. I want to use my photography to bring people to think beyond the image itself and into their own interpretation of the work and how it makes them feel. I want my photography to inspire people.

When I look at the world around me, I donโ€™t just see the surrounding scenery. I see shadows, light and detail that can all be transformed into something else, or manipulated in a way to make your eye jump from one part of the image to another. I guess you could say that my mind works for the camera. I have an image of what the final piece is going to look like before I have even captured the first image.

I want to be able to dedicate my time to photographs of the world as I see it, or as I dream it. I believe that my photography can transform simple objects into dramatic displays of light and dark, color and black and white, beauty and despair; I want everyone to witness the images my mind produces for me before a camera is ever raised to my eye.

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I was once told that art isnโ€™t really art unless it makes you feel something. Feel something with me.

{For more from this series and others, visit my Instagram}

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